Morning work

The past few days here in The City have been well into the upper eighties. A bit early for me, but next week looks to be more seasonable. Humidity is low which is a blessing.

The wet plate process, like myself, does not like high temperatures. The ether begins to boil at around ninety degrees, and can become dangerous to work with, so I headed out early to get some plates done before the mercury rose to the danger zone.

My goal was to make some negatives, and I had spent a few minutes the day before getting some 5×7 glass plates squeaky clean. Nothing so frustrating as putting a developed plate in the fixer, and seeing the colloidian slide off in one sheet simply because of poor plate preparation.

I was pleased with the results, and hope to make some prints with this negative. Need to save up $$, so I can purchase some platinum/ palladium. The war in Ukraine has driven the prices sky high. In the meantime I’ll do some salt prints.

Enjoy your day, hope to see you soon.

Published by Paul W. Dorr

A New York based photographer who still shoots film. Born, and raised in New England, and living the last thirty years in midcoast Maine, I took a job as Shipkeeper aboard the Wavertree at South Street Seaport Museum in the Winter of 2016/17. On my off days I find myself exploring the City with a camera at hand. At the moment I am shooting with a Mamiya RB67, but recently acquired an 8x10 Kodak Master View, with the hopes of doing some wet plate portrait work.