Rainy day projects

The rain started yesterday evening, and when I awoke this morning it was still coming down. I poured myself another cup of coffee, solved today’s Worldle, and crossword puzzle’s, then got to work.

I have about a dozen tintypes of various size’s that have been waiting to be varnished. I have been putting this off, but have no excuses today.

In theory varnishing the plates is rather simple. Sandarac varnish if used for this. The resin is collected from trees in Northwest Africa, most notably in the Atlas Mountains near Morocco.

The resin is mixed with linseed oil, and in the use of coating tintypes oil of lavender is also added. Rather a pleasant smell during the whole process.

First the plate is warmed. In the field an alcohol lamp is used, but when possible I like to used a standard hair dryer. Open flames, and varnish can have some rather sad results.

The varnish also gets warmed a little, and then it is poured onto the plate in much the same way as the colloidian. Poured off into the bottle. Then the plate is warmed again to aid drying. At this point the varnish surface is extremely tacky, and a magnet for dust. Into the rack it goes to finish curing.

Published by Paul W. Dorr

A New York based photographer who still shoots film. Born, and raised in New England, and living the last thirty years in midcoast Maine, I took a job as Shipkeeper aboard the Wavertree at South Street Seaport Museum in the Winter of 2016/17. On my off days I find myself exploring the City with a camera at hand. At the moment I am shooting with a Mamiya RB67, but recently acquired an 8x10 Kodak Master View, with the hopes of doing some wet plate portrait work.