Early morning work

A nice cool, and clear morning. Felt more like Fall than late Spring. Took advantage of it and did a quick wet plate shoot. Did not venture out, just set up on deck. One test shot, and then a finished image.

Coiled lines aboard Wavertree.

This evening, if I have time, I’ll start prepping glass plates. It is a rather simple process. First that are each meticulously cleaned, then the border of the surface that will have colloidian on it will get a coating of egg white.

The egg white was beaten into a meringue about two years ago. Strained, and put in a glass jar. Foul smelling as all get out. This will bond to the glass, and in turn the colloidian will adhere to it. This will help prevent the colloidian from lifting, and peeling away from the edges whilst it is being developed. Fixed, and washed.

A new bottle of silver nitrate arrived the other day! Now I have enough to start doing 8×10 plates. Very excited. I will also adapt my plate holder to carry a small square plate. 2×2 should do it. This is primarily going to be used as an economical way to do test plates, but can also make some sweet little tintypes, or ambrotype images.

Sold two tintypes the other day! Ones of the Brooklyn Bridge. So very rewarding to have my work appreciated. It also covered the cost of the new bottle of silver nitrate.

I am also gathering up better material for the blackout cloth that covers the box. It is a challenge finding material that will both block UV light, but also not be horribly heavy.

An ambrotype that I made last year. This image does not do it justice. Held in hand it is rather beautiful.

Published by Paul W. Dorr

A New York based photographer who still shoots film. Born, and raised in New England, and living the last thirty years in midcoast Maine, I took a job as Shipkeeper aboard the Wavertree at South Street Seaport Museum in the Winter of 2016/17. On my off days I find myself exploring the City with a camera at hand. At the moment I am shooting with a Mamiya RB67, but recently acquired an 8x10 Kodak Master View, with the hopes of doing some wet plate portrait work.